Underexposed

The Olympus E-P1 with its small 17mm lens attached.

(Credit: Olympus)

The Olympus E-P1 camera, a hybrid designed to combine advantages of both compact cameras and SLRs, is a welcome arrival in a digital camera market struggling to find new directions.

The small and light camera that debuted Tuesday features interchangeable lenses and relatively large sensor that endow SLRs with flexibility and higher image quality, but it's also got a small body of a compact camera. It has the potential to appeal to SLR owners who want something smaller and to compact camera owners who want something better, if Olympus can convince people to surmount a significant obstacle, price.

Like most hybrids--gaming laptops, for example, or bicycles with aspects of both road bikes and mountain bikes--the E-P1 sacrifices specialization for versatility. But the digital camera market is saturated, and the E-P1 is a promising member of a newer camera breed.

There are a handful of competitors with similar aspirations. Canon's G10, the newest in its G series of high-end compact cameras, is one example. Nikon's GPS-enabled P6000 is another, though, like the G10, it doesn't have an interchangeable lens. And Panasonic's G1 and GH1, which employ the same Micro Four Thirds lens and sensor standard as the E-P1, are probably closest.

The biggest knock against these cameras is price. Their relatively large sensors--especially those in the Micro Four Thirds cameras--cost a lot to manufacture, and fast electronics and high complexity just make things worse. Few people are willing to spend more than $300 on a camera, much less the hybrid cameras.

Brace yourself for some sticker shock. ... Read more

Updated 7:16 a.m. PDT with further details from Canon in Europe, and 9:20 a.m. with further details from Canon USA.

Canon plans to release firmware June 2 to address a common complaint about its EOS 5D Mark II, a $2,700 digital SLR that's generally been lauded for its image quality but criticized for its lack of manual controls when shooting video, the company said.

SLR cameras give photographers close control over settings including shutter speed, aperture, and ISO sensitivity, and the enthusiasts and professionals who buy high-end cameras often understand and use those options. Since the 21-megapixel 5D Mark II was introduced a half year ago as Canon's first SLR to feature video abilities, the video operated in a fully automatic mode in which the camera selected those settings.

Manual control over video will arrive with Canon's 5D Mark II through a June firmware update.

(Credit: Canon)

That became a common cause for complaint. For example, people couldn't select a wide aperture, or F-stop, to ensure a shallow depth of field that would direct attention to a video's subject while making the background an undistracting blur. The lack of manual controls contrasted with two big video advantages of the 5D Mark II, the ability to shoot 1080p video at 30 frames per second, and a large, full-frame sensor that's particularly good at dealing with difficult low-light conditions.

"This new firmware will accommodate a great number of user requests for manual exposure control in the EOS 5D Mark II video mode. Manual exposure control while shooting video on the EOS 5D Mark II is expected to make a big impact with cinematographers and videographers using the 5D Mark II for high-end HD video production," Canon said.

A customer newsletter said the feature will permit control over ISO, aperture, and shutter speed. Canon's European press release was more forthcoming, saying that shutter speed would range from 1/30th of a second to 1/4000th and that ISO would include the camera's regular span of 100 to 6400 and also the extended H1 setting of 12,800.

Medium-format digital cameras, which have larger sensors and higher price tags than even high-end SLRs, didn't fare so well in earlier tests of sensor quality by measurement firm DxO Labs, but Phase One's newly tested top-end technology has risen to the top of the DxOMark Sensor test.

Phase One now rules the DxOMark Sensor roost.

(Credit: DxO Labs)

Phase One's 60-megapixel P65+ camera scored 89.1 on the test, edging out the Nikon D3X, which scored 88, according to data released Thursday. In addition, the 51.7-megapixel Hasselblad H3DII 50, an older model than Phase One's, scored 78.2. Click here to compare the two models and Nikon's D3X.

The DxOMark sensor test measures a camera sensor's dynamic range, color depth, and low-light performance. DxO Labs cautions that differences of less than 5 points aren't really distinguishable, and of course many other factors including price, lens quality, autofocus, and resolution factor into overall camera quality.

The P65+ features the best color performance yet, but DxO Labs said its comparatively good performance in low-light conditions helped it carry the day.

Carl Zeiss' camera lens division renewed a partnership with Sony for another five years, the companies announced Wednesday.

The partnership began in 1996 with a Sony camcorder using a Zeiss lens, then extended to compact cameras. More recently, with Sony's entry into the SLR market, Zeiss-branded lenses are available on those high-end cameras, too.

Another electronics giant making its way into the camera market, Panasonic, has adopted a similar strategy with another German camera company renowned for its engineering, Leica.

Canon's new Rebel T1i SLR

(Credit: Canon USA)

Thus far, SLR camera sales have been a bright spot in the camera market, but analyst firm IDC expects the recession will hit the higher-end models, too.

Worldwide camera shipments are expected to drop 6 percent to 129 million units in 2009. Single-lens reflex (SLR) shipments won't be hit as hard, but still will drop 5 percent to 9.2 million units, according to an IDC forecast released Monday.

"Countries will emerge from the global recession in mid-2010, starting with the U.S. However, unemployment will lag behind the recovery, dampening consumer spending for the next two years, particularly on big-ticket items like digital SLRs," analyst Christopher Chute said in a statement.

SLR cameras are bulkier and more expensive, but offer better responsiveness, interchangeable lenses, and higher image quality. With the compact camera market largely saturated, SLRs have shown relatively strong growth.

The overall market should continue its decline by another 1 percent to about 128 million from 2009 to 2010, but growth should return and the market should reach 148 million units in 2013, IDC said.

In the U.S. declines are sharper he said: digital SLR sales will drop 7 percent to 2.4 million cameras from 2008 to 2009, while the overall market should decrease 10 percent to 36 million units.

The camera industry and photographers, having just gotten accustomed to the arrival of video in point-and-shoot cameras, just now are beginning to grapple with its arrival in the more serious SLR realm.

Chuck Westfall, technical adviser for Canon's professional products marketing division and a 26-year veteran at the Japanese company, is in the thick of it. Nikon was the first to market with a single-lens reflex camera equipped with video, the D90, but Canon offers video in two SLRs: the high-end EOS 5D Mark II, with a large sensor the size of a full frame of 35mm film, and the Rebel T1i, a more affordable, mainstream model.

Chuck Westfall

(Credit: Canon USA)

These cameras combine high-definition video--1900x1080 pixels at 30 frames per second in the case of the 5D Mark II--with SLRs' advantages when shooting in dim conditions and with a broad variety of lenses. But even though today's video SLR features offers hold some appeal to enthusiasts and professionals, they're something of an awkward afterthought. SLRs and those who use them that haven't yet had much time to adapt.

Welcome to the world of digital photography, where change is incessant. In an interview with CNET News, Westfall talked about not just video, but also OLED displays, the arrival of rival full-frame SLRs from Sony and Nikon, changing flash card and file format standards, wireless networking, and more.

Question: The age of the video SLR has begun. A lot of people in the high-end camera market are set in their ways, and video is a radical difference for a lot of them. How does that change the camera design, the marketing, and everything you have to do to sell a camera? ... Read more

Nikon's lower-end SLR line is due for a revamp, and there are some signs that it could come soon in the form of a model featuring an articulated screen.

Photos of an SLR with a screen that pivots out and twists surfaced Sunday at the Something Awful forum and Monday at Engadget; the photos depict the production of a Nikon commercial in Eastern Europe, according to the forum posting from "indyjb" and Engadget.

Articulating screens are nothing new; some Olympus and Panasonic SLRs feature them, while some Sony models have a pivoting LCD that can be useful. But newer technology developments in the market make them more useful.

First, pivoting screens are helpful with live view, which lets people compose photos using the LCD rather than the viewfinder; live view makes it easier to take shots with the camera held high overhead or down near the ground, for example, where peering through the viewfinder is tough. More significantly, pivoting LCDs make video easier on SLRs. So far video is available only on two SLRs from Canon and on Nikon's mid-range D90.

The shots show what appears to be a lower-end SLR featuring Nikon's 18-55mm f3.5-5.6 VR kit lens.

When might this new product arrive? Perhaps at an April 14 Nikon press conference in Austria whose invitation Nikon Rumors published.

Update 11:52 a.m. PDT: First, Nikon declined to comment. Second, there's a possibility that Nikon's also relatively elderly D300 will be supplanted by the D400, Photography Bay points out.

(Via Cameratown.)

DxO Labs added scores for three Sony SLRs to its site for image sensor tests. (Click to enlarge.)

(Credit: DxO Labs)

Three midrange Sony SLRs now are included in DxO Labs' measurements of image sensor performance, and the Alpha A700 proves to be reasonably competitive.

Sony's A700, which costs about $1,100 with an 18-70mm lens, has a score of 66.3 on the test, which calculates how well the sensor handles color, a range brightness and darkness, and low-light shooting. That puts it behind the top-scoring camera with a comparably sized sensor, the Nikon D90, almost ties it with the Pentax K10D and Nikon D300, and gives it a a few points' lead over Canon's 40D and 50D.

Meanwhile, the A200 scores 62.9 and the A300 an even 64, according to the DxOMark Sensor test results that were updated Tuesday. A five-point difference makes a difference of about 1/3 stop in exposure, DxO says, meaning that a higher-scoring camera can attain the same raw image quality as a rival even though the higher-scoring camera is using a faster exposure or higher ISO.

DxO Labs, a French company, makes a business of measuring camera image quality, developing technology for image-processing hardware and software, and selling software to convert the raw files produced by higher-end cameras into less flexible but more convenient formats such as JPEG. The DxOMark score measures sensor performance based on the raw file, a foundation for overall image quality but only a facet of a camera's overall performance.

A correction has been made to this story. See below for details.

LAS VEGAS--Olympus has declared an end to the megapixel race.

"Twelve megapixels is, I think, enough for covering most applications most customers need," said Akira Watanabe, manager of Olympus Imaging's SLR planning department, in an interview here at the Photo Marketing Association (PMA). "We have no intention to compete in the megapixel wars for E-System," Olympus' line of SLR cameras, he said.

Instead, Olympus will focus on other characteristics such as dynamic range, color reproduction, and a better ISO range for low-light shooting, he said.

Increasing the number of megapixels on cameras is an easy selling point for camera makers, in part because it's a simple concept for people to understand. Even though having more megapixels can enable larger prints and enlargement of subject matter through cropping, adding megapixels comes with some drawbacks.

For one thing, smaller pixels can mean more noisy speckles at the pixel level and can reduce the dynamic range, so brighter areas wash out and darker areas become swaths of black. For another, images take more room on memory cards, hard drives, and Web servers, and cameras need more powerful image processors to handle them. And yesteryear's cameras already had plenty of pixels for making 8x10-inch prints, a size few people exceed.