I'm not a big fan of pop music, so I must admit Michael Jackson wasn't on my iPod. (Although I do have a copy of "Thriller" on LP, which I bought for $0.99.) But as a bassist, I have fond memories of playing a 30-minute rendition of "Billie Jean" at an outdoor party a few summers ago. I'm not sure how it happened, but everybody kept dancing, and we didn't know how to end the song, so we just kept going around and around those same sixteen notes over and over again, broken occasionally by the singalong chorus.
According to Q Magazine, as quoted by Songfacts.com, that wondrous piece of bass music was written by the man himself, who spent more than three weeks perfecting it. Check out this early demo version from 1981. The slap-bass solo in the bridge was played by Louis Johnson, who has said at least once that he co-wrote the song. (And who, incidentally, plays a MusicMan StingRay, my bass of choice.) Listening to the instrumental remix of "Billie Jean" on Grooveshark, it sounds like it starts with bass, then is doubled or replaced with synth-bass after the strings come in.
It didn't make Stylus Magazine's top 50 basslines of all time, but it's got to be in my top five, along with Pink Floyd's "Money," Charlie Mingus' "Haitian Fight Song" (which kicks in after the intro-solo), Led Zeppelin's "Dazed and Confused," and the double-bass on Lou Reed's "Walk on the Wild Side" (that's an electric and an upright, starting in unison, then trading parts for the rest of the song).
Or am I just being nostalgic? What are your faves?
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Free, on-demand streaming music is a rising tide: since the start of 2009, I've covered relatively new services like Spotify and Just Hear It, and there are plenty of established players like MySpace Music, Imeem, and Grooveshark.
Listen to Michael Jackson's music on Michael Jackson's official Web site. What a novel idea!
(Credit: Sony Music, Michael Jackson)Instead of trying to stop the tide, Sony Music has wisely embraced it: starting today, the company will introduce streaming music players on the Web sites of its most popular artists, including popsters like Kelly Clarkson, John Legend, and Jacko himself. It makes perfect business sense: instead of letting some third party like Imeem sell advertisements against high-demand music, Sony can sell or display its own ads.
Of course, they couldn't make it too easy--finding the audio on Michael Jackson's site took a few clicks, including one that forced me to identify my country, and the songs were embedded in the Sony-specific MyPlay player, which is an interesting piece of technology but only lets you create playlists with songs from other artists with MyPlay players. More generally, I wonder if it's too late for these label-specific initiatives--I'm sure plenty of hardcore Britney fans have her Web site bookmarked, but most music listeners probably prefer to use services that let you compile lists from multiple artists on multiple labels.
Sony is also adding lyrics to these artists' sites, provided by the company's own Gracenote subsidiary. Excellent move. I can't believe it's taken this long, given the lack of decent lyrics sites out there. In fact, I still don't understand the reluctance to publish lyrics online--what are people going to steal? What money is the artist or copyright owner losing? Kudos for Sony for taking a baby step toward ending this silliness.
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