For this recording, we used the same drum microphone set-up as the previous recording, but Alan joins in on the lap steel guitar. We also bring the recorder's stereo mics into the center of the room to pick up more of the guitar amplifier. The differences between the two tracks are more subtle here, but again, the added oomph of the independently mic'd kick drum makes the second recording a little more polished sounding.
Drums and lap steel (stereo mics with limiter) Listen now:
Drums and lap steel (stereo mics with limiter, and overhead snare mic and kick drum mic with compression, 4-channels) Listen now: