September 25, 2006 7:35 AM PDT
British Library calls for digital copyright action
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In a manifesto released on Monday at the Labor Party Conference in Manchester, the United Kingdom's national library warned that the country's traditional copyright law needs to be extended to fully recognize digital content.
"Unless there is a serious updating of copyright law to recognize the changing technological environment, the law becomes an ass," Lynne Brindley, chief executive of the British Library, told ZDNet UK.
Digital rights management (DRM) technologies and licensing agreements currently can impose restrictions on copying content that go beyond the requirements of copyright law. This needs legal clarification, according to the British Library.
"DRM is a technical device, but it's being used in an all-embracing sense. It can't be circumvented for disabled access or preservation, and the technology doesn't expire (as traditional copyright does). In effect, it's overriding exceptions to copyright law," Brindley said.
The British Library hopes to protect statutory exceptions and fair dealing, which enable libraries to make and preserve copies of content, and make them available for research purposes and for disabled people.
"This is a global, international issue," Brindley said. "We have to have the same balance as in traditional print. We are seeking a triage ensuring creators are rewarded but also that the public good is served."
The Open Rights Group, a digital civil-rights organization, said it "whole-heartedly supported" the British Library's call for a clarification of copyright law.
"One of the key problems is that the limitations and exceptions to copyright law are being ignored by business, which is imposing restrictive licenses on digital content," Suw Charman, executive director of the Open Rights Group, told ZDNet UK.
Charman said DRM restrictions could be particularly damaging for academic research.
"If a library carried a printed journal, academics and students could photocopy it. Digital journals have restrictions on access, which is a dangerous road to go down," Charman said. "If we allow companies to create their own licenses, we undermine copyright law. If we say contract law is more important than copyright law, it allows publishers to write whatever license they like, which is what is happening now."
The British Library said it hopes to play a leading role in moderating the debate between those who wish to make copyright law more restrictive and those who wish to radically reform it.
The British Library also called for the question of "orphan works"--content whose rights holder is hard to find--to be addressed.
"There's an enormous amount of material locked up because we can't trace the copyright holders," Brindley said.
Tom Espiner of ZDNet UK reported from London.
See more CNET content tagged:
copyright law, digital content, digital-rights management, restriction, exception
14 comments
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does not mention that the Copyright Licensing Agency (CLA) in the
UK collects a license fee from libraries to permit that activity. In
the absence of some form of license or compensation for digital
reproduction the two issues are not identical.
--mark d.
countries we have an exception called "Fair Dealing", the
articulation of which varies from country to country.
In all cases, the exception has nothing to do with the perceived
fairness or unfairness of the action. With varying degrees of
precision, each act tries to define under what circumstances
copying without permission may take place.
Unfortunately, many people have misunderstood this and
misapplied this exception to justify their actions. In no case do
either Fair Use or Fair Dealing permit the copying of copyrighted
materials for the purpose of personal enjoyment or
entertainment - no matter how fair somebody might think it is.
There is no sense in requiring that this post get the same kind og legal peotection that a multi million Pixar production gets. These are two extremes and in between them there are many intermediate scenarios, most of which reqire copyright protection slightly higher than this post but not getting close to the Pixar investment of millions in one film.
Legislators in most countries cannot really change this situation because they are bound by international agreements like the Berne convention. This should change to allow a variety of levels of protection, providing minimal protection for all works, more protection by request, and maximal protection for those that need to protect their financial investment for a fee. Those who spend millions to can be expected to invest a bit in protecting their investment.
The idea that registration should not be required for legal protection of a creation by copyright law was right for the end of the nineteenth century. However, in the twenty first century registering a work doesn't mean a few days on horseback to the capital city were several days are then spent looking for the right clerk. Today it can be done from anywhere through the internet, and I'm sure WIPO is capable of creaing such a system that would work globally and a new legal framework of international agreements to go with it.
Anyway, a new legal framework that doesn't put a Pixar full length film on the same level as a blog post would work better for both Pixar and the internet public, and would solve the problem of orphaned works.